https://thisisatemporallandscape.vercel.app/
The practise-based element of my doctoral research culminated in the creation of an online digital assemblage entitled THIS IS A TEMPORAL LANDSCAPE YOU WILL FIND NO DIRECTION HERE with designer and engineer Agnes Cameron. Intended for dialogic use in workshops, grassroots community spaces and classrooms by political organisers, artists and members of the public, it displays over 200+ archival images from radical social movements. Further images, sounds, creative writing, fieldnotes, videos, resources and theorisations collected in the process of fieldwork as well as the full transcripts of research interviews are displayed here. This landscape acts as a display of the questions engaged, creative work produced, and forms of collaboration experienced as part of this research project. It is intended to be an interactive site that invites its audience into various forms of collaboration with me and provides a critique of the structuring force of historiography, which I argue disciplines the experience of human duration. It asks its audience to engage with archival ephemera without time, prioritising instead, the liberatory affects capable of repairing a damaged structure of feeling. It is a place to exercise disappointment and refortify the desire to engage in material resistance.
The practise-based element of my doctoral research culminated in the creation of an online digital assemblage entitled THIS IS A TEMPORAL LANDSCAPE YOU WILL FIND NO DIRECTION HERE with designer and engineer Agnes Cameron. Intended for dialogic use in workshops, grassroots community spaces and classrooms by political organisers, artists and members of the public, it displays over 200+ archival images from radical social movements. Further images, sounds, creative writing, fieldnotes, videos, resources and theorisations collected in the process of fieldwork as well as the full transcripts of research interviews are displayed here. This landscape acts as a display of the questions engaged, creative work produced, and forms of collaboration experienced as part of this research project. It is intended to be an interactive site that invites its audience into various forms of collaboration with me and provides a critique of the structuring force of historiography, which I argue disciplines the experience of human duration. It asks its audience to engage with archival ephemera without time, prioritising instead, the liberatory affects capable of repairing a damaged structure of feeling. It is a place to exercise disappointment and refortify the desire to engage in material resistance.
